I’m a director, editor and mixed-media animator and I live in Vancouver, Canada. I’ve been making films for 22 years.
Documentary is my favourite storytelling medium: it expands our understanding, fuels change, captures complexity, and provides endless possibilities to play with the art of film language.
Recent projects and collaborations include: Stuffed (editor, story editor) a feature-length documentary about taxidermy artists which premiered at SXSW 2019 in the doc competition, Amplify Her Motion Comic (animator) a multi-platform project exploring the life stories of female DJs, Journeys to Adäka (co-editor, story consultant) a feature-length documentary about the healing and reclaiming journeys of First Nations artists in the Yukon, which won the Audience Choice award for Best Canadian Documentary at The Available Light Film Festival 2018, and The Road Forward (editor, visual effects supervisor) a feature-length musical documentary about First Nations activism which won 6 awards at the 2018 Leo Awards, including Best Picture and Best Picture Editor in the Feature Documentary category.
I chose the path of artist very early in life, and as a director I often explore subjects of creativity, culture and point of view, using animation, experimental storytelling and sound design to evoke a character’s inner world. Examples include a short about Nick Bantock, which was part of the Gemini-nominated arts series 12 Takes, City Centre, which explores condo development through the eyes of poet Evelyn Lau, and Assembly, a hand-painted animation about feminist filmmaking which was given the 2012 Artistic Achievement Award by Women in Film Vancouver.
As an animator I’ve always been inspired by the diverse and artful legacy of animators at the National Film Board of Canada, and love getting the opportunity to play with practical mixed media, stop motion and digital techniques. For nearly 10 years I have also worked part-time as a promo producer/editor at Knowledge Network, BC’s arts and culture network, making trailers for documentaries and children’s television.
As a documentary editor, I enjoy crafting dramatic arcs and revelatory moments out of the material of real life. When working as a story editor, I get excited about helping a filmmaker find pathways through their characters’ journeys – drawing out connections, themes and contrasts to make the narrative clearer or more dynamic. Both these processes are often puzzles to untangle, diving into the heart of the content, sorting through what exists, what is most alive and what needs to be understood.
I first became involved in the film community in 1996 through the Gulf Islands Film and Television School on Galiano Island, and the ethos of DIY-powered, experimental and passion-driven media making that was the staple of that community still fuels me as an artist. I’m also trained as a somatic therapeutic counsellor, and am drawn to film as a tool for education and healing.
I’m privileged to get to use my voice as a media maker, and I try to use that privilege with awareness and responsibility. Collaborative creative relationships are really important me, and I am deeply grateful to get to work with the talented individuals you see credited on these project pages.
You can view my CV here.
Photos by: Maggie MacPherson, Derek von Essen, Jason Evans and Chad Galloway.